“我的创作实践始于对外部环境的疏离感。在居住环境不稳定中长大，我不断地经历着质疑个人身份的意义和价值的循环。对我来说，环境变化所产生的回声可以通过日常摄影作品的重新定义和二次创作，并使用符号学进行图像的分析，以长方形作为我的符号语言。通过数码绘画，对照片进行拆解再重新拼接，绘画，装置和特定地点的项目等等媒介，显现出对当下环境的意识形态。不断的在我们生活的空间里寻求时间和记忆的规律，在时间线的不断前进中，将当下的记忆碎片重新组合、拼接，将内存碎片从平面空间构建到物理空间中。”

"My practice began with a sense of alienation from the external environment. Growing up in a volatile environment, I am constantly experiencing the loop of questioning the meaning and value of personal identity. For me, the echoes generated by environmental variation can be redefined and re-created through daily photography works and use semiotics to analyze images, using rectangles as my symbolic language. Through digital painting, dismantling, and re-splicing photos, paintings, installations, and other media, it shows the ideology of the current environment. I am seeking the regulation of time, ideology, and memory in which the space we are living in, which is the continuous progress of the timeline, recombining and splicing the memory fragments in the present. I try to construct the memory fragments from the planar space into the physical space. "